In 1972, screenwriter Rudy Wurlitzer approached singer/songwriter Bob Dylan to create songs for a movie he was writing called Pat Garrett & Billy the Kid. Before Davis and his quintet took to the studio, they were given only a brief outline of the film’s plot, and once they got there, they completely improvised the entire soundtrack as they watched a rough cut of the film live. Surprisingly, the normally volatile Davis agreed. and Lift to the Scaffold in the UK), French director Louis Malle, then 24, approached legendary jazz trumpeter Miles Davis at a Paris gig in November 1957 at the suggestion of his assistant. When looking for music for his debut feature, a crime thriller called Ascenseur pour l’échafaud (released as Elevator to the Gallows in the U.S. But sometimes, instead of a traditional score or multi-artist soundtrack, filmmakers choose a single act to provide the music for their movie. Whether it’s a large orchestral score or the hushed strumming of a lone guitar, the music in a film is an essential part of the whole.
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